So…page proofs are done (check) and some family LifeStuff probably/maybe resolved (half-check) and I’m back “on book”. Yesterday, after a dietary error that kept me close to one room in the house, turned out to be a very productive writing day anyway (3001 new words, in addition to cleaning up some continuity problems I discovered while working on the proofs of Kings…no, B- did not tell his father about hmmmmmph at Autumn Court, becuase hmmmmph didn’t start until AFTER Autumn Court. when ummmm went mmmmph. Yes, hate me.)
Sometimes when secondary-to-tertiary characters are given a speaking part, they behave well and stay where they’re put. Sometimes they don’t. You never know who’s going to blunder into the line of fire and get mowed down, for sure, or if the one who gets shot lives or dies…until deep in the book. Take the squires, for instance. I had done a background check, and decided that the Marrakai girl would have Marrakai-type problems in her first year as squire (hot, fast-reacting personality type), the Mahieran boy would have member-of-royal-family type problems (entitlement issues, maybe some jealousy of those nearer to the throne), and the Serrostin boy would have some confidence issues (youngest, shortest) and perhaps use his intelligence to be manipulative behind the scenes. There’s not a lot of room in the book to do “bringing up squires” in much detail, but that’s the kind of incident I was anticipating.
Only…not. Well, sort of, but also…not. That’s because the well-intentioned and ethical (in his terms) actions of someone else have created a situation into which, like a black hole, certain masses are doomed to fall, whether fitting the person’s family pattern or not. I had no idea these other ummm would be there at all, let alone then, or that a mmmhm would be strolling along and do what he did.
The plot daemon is presently determined to draw out the suspense and tension as far as possible; attempts to shorten the approach to the black hole are being resisted by the full force of the plot daemon’s plot-drive. I keep looking around for potential rescue forces, but…there aren’t any. There’s no reason for there to be any. (There is a rescue force but it’s not where it needs to be, and I’m not sure it’s adequate anyway.) The doomed spacecraft is either going to fall into the black hole or find some paperclips and gum and other household items that will, when correctly aligned, produce the equivalent of a Sheewash Drive. (Anyone who hasn’t read The Witches of Karres needs to go find a copy. Old-fashioned rollicking SF.)
I realize I made a hard left turn from the fantasy world of Paks to SF, but black hole really is the best metaphor for certain plot forces that take over.
Anyway, a squire is worried about something going wrong, but is worried about the wrong wrong. As a mother, I do not want a hair of their heads to be harmed, but as a writer…it’s my job to throw them at trouble (or trouble at them) and let what happens happen. The reader has been given clues so that the reader will know what the character doesn’t…it’s not a big surprise-from-nowhere for the reader, just for the character(s). And even the character had some clues, but lacked the ability to recognize them and analyze them.
Well…the character isn’t dead yet. So back I go to the increasingly long file, to work on it this afternoon.
3001 words yesterday and I should make my 2000 today
Comment by tuppeny — July 27, 2010 @ 7:24 pm
Do I hear the delicate tiptoeing of Arvid’s feet?
Comment by Daniel Glover — July 27, 2010 @ 7:30 pm
So where does the 593 words above fit in? In today’s 2000 or tomorrows? Now I’m really interested in III. No lollygagging around for squires when your plot daemon is around.
Comment by elizabeth — July 27, 2010 @ 10:53 pm
tuppeny: not there, exactly. Elsewhere, definitely.
Daniel: 593 words? Now I’m confused…where did I mention 593 words????
Comment by Margaret Middleton — July 28, 2010 @ 4:27 am
You didn’t MENTION 593 words, you WROTE 593 words of “progress again”. He was wondering whether they count in the day’s productivity, and if so, which day.
Comment by elizabeth — July 28, 2010 @ 5:51 am
Aha! Thanks.
No, the only words that count toward the day’s wordage are those actually in the book-file. Hence the need to cut back on time spent in newsgroups, blogs, and other online venues. Even so there’s usually at least 1000 words/day in email, comments to comments, and a blog entry/day.
Comment by Amanda Moon — July 28, 2010 @ 10:35 pm
I think that it is absolutely awesome that you take time out of your days just to write to your fans and actually hold conversations with them via internet.:)
I really enjoyed these series and I cannot wait to read the next book!
Comment by elizabeth — July 28, 2010 @ 10:50 pm
Responses like yours make the effort worthwhile.
Comment by David Bedini — July 29, 2010 @ 8:32 am
Just finished Oath, I think that makes 20 of your works I’ve read. You keep me turning the pages. Speed of Dark is certainly different from the rest, but profoundly moving, worth every minute.
But that’s not why I’m writing. It’s about you chatting here, and word counts and such. It seems to me that after hours of hard work trying to get your characters to play their parts right, it can be a release to just trade a few words and quips with fans and friends, and let the mind relax and reflect. Writing can be so detached, it’s nice to connect to people about it. So, I guess, a cyber pat on the back. However you do it, it sure works for me. Thanks.
Comment by elizabeth — July 29, 2010 @ 9:27 pm
Thanks back at you! There’s going to be a post tonight because yes, sometimes I need the relaxation of writing that’s not story.